ARACHOSIA

PASHTO: د صوابۍ پښتنې ليکوالې ( دوېمه برخه )

Dr Sher Zaman Seemab, Paghunda Mukhtiar — Sat, 21 Dec 2024 00:00:00 +0000

Swabi is a very famous and well-known area of the Khyber Pakhtunkhwa province, which is administratively known as Swabi District. This region has produced such great people in every field of the life, who are currently performing important services in all the institutions of the country. In the field of poetry and literature, famous writers and poets have been born here. Along with poetry, they have done important works in the field of literary prose, especially, significant works have been done in the field of drama, novel and short story. And hundreds of books and other literary works have been published here. Along with the male writers in this area, a large numbers of female writers have also done significant services for their language and literature. their books and other literary works have been published in all genres of literature.

PASHTO: د صنفي برابرۍ کلتور او خدايي خدمتګار تحريک تحقيقي جائزه

Muhammad Ali, Dr. Farkhanda Hayat — Sat, 21 Dec 2024 00:00:00 +0000

The Khudai Khidmatgar Movement, also known as the (Servants of God) Movement, was founded by Khan Abdul Ghaffar Khan in the early 20th century. It was a non-violent political and social movement aimed at securing the rights and freedoms of Pashtuns under British colonial rule. This research paper explores the intersection of gender equality and the Khudai Khidmatgar Movement, a socio-political movement led by Khan Abdul Ghaffar Khan in the early 20th century. This paper examines how the movement influenced the cultural and social framework of Pashtun society, particularly concerning gender roles and the status of women. While the movement’s primary focus was on political freedom and social justice, its impact on gender equality remains a crucial aspect of its legacy. Khan Abdul Ghaffar Khan’s progressive views on women’s rights led to the inclusion of women in the movement’s activities, thereby challenging traditional Pashtun norms. The movement emphasized the importance of education for both men and women, promoting the idea of an egalitarian society where women had equal opportunities to participate in social and political affairs.

PASHTO: د بنو د سيمه ایزې کرلاڼي لهجې د لغوي پانګې په اړه د شوي کار تحقيقي جائزه

Inam Ullah Khan, Dr. Noor Muhammad Danish Bettani — Sun, 22 Dec 2024 00:00:00 +0000

Language is a social،Acquisitive and Cultural phenomenon, which is why it undergoes various changes over time. Along with other grammatical changes, these changes also occur in the vocabulary. Because with the passage of time, some old words become obsolete and some new words appear. The only way to save obsolete words is a dictionary. Banu, which is the ancient homeland of various Pashton Karlani tribes, has many special words that have not yet been properly preserved, especially in the pattern of professional dictionaries and Encyclopedias like Britannica, Oxford Dictionary, Ferozulghat, Daryaab and others. On the other hand, in linguistics protecting the vocabulary of regional dialects is a useful practice. In this research paper, a research review has been taken of those dictionaries/ Literary material that have the vocabulary of the Banuu regional Karlani dialect.

PASHTO: ژبني توپير او بدلون

Prof. Dr. Rafiullah Niazai — Sun, 22 Dec 2024 00:00:00 +0000

The history of human society study shows the phenomenon either vary or change, Its forms over the time and era. The human language is also part of this process, which is varied over the time and era, and there is no evident that the human language is to be exceptional of the international law of varying phenomenon. This paper examines what is the language variation, change and development. How the variation, change and development can be evolved in language and what are the factors?

Pashto پښتو ډرامه او خدائي خدمتګار تحريک يوه تخقيقي او تنقيدي مطالعه

Prof. Dr. Javed Iqbal — Sun, 22 Dec 2024 00:00:00 +0000

In creative literature, Drama is considered an effective genre for arousing the emotions and feelings of the public. Drama is not only an important means of entertainment but it has been used to educate people and create awareness. In this context, the Khudai Khedmatgar Movement played a pivotal role in promoting Pashto Drama. This article reports the multifaceted role of the Khudai Khedmatgar Movement in promoting Pashto Drama as a potent tool for education, awareness and ultimately for freedom from the British rule. This article shows how the Movement's ideas and principles such as non-violence and social justice were reflected in the themes and narratives of Pashto Drama. By examining the interplay between Pashto Drama and the Movement, this study has shed light on the crucial role of cultural expression in fostering political awareness and promoting social change.

Pashto د پښتو ادبي ملکري بوري تاريخي شاليد او قيام ؛ يوه تحقيقي جايزه

Sameullah Samim, Noor Muhammad Afghan — Wed, 25 Dec 2024 00:00:00 +0000

Pashto Adabi Malgari Bori is an organization of writers and poets of Loralai, which was established in 1968 according to its official records but other oral and written reports show it from 1962 and 1965. The founder of this organization is Rub Nawaz Mail. This organization has its own historical background, the last link of which is from Loralai Week(1952). Loralai Week is the beginning of literary and cultural activities in Loralai. The journey started from Loralai Week has passed through the stages of different literary organizations, but finally in 1968, was named Pashto Adabi Malgari Bori. It has been more than half a century so far, but this literary organization has still kept its literary activities going.

URDU: غالب کے شعری اسلوب کی نفسیاتی جہت

Dr. Qandil Badar , Wasaf Basit — Wed, 25 Dec 2024 00:00:00 +0000

The interpretation of Ghalib’s poetry has been approached from multiple perspectives, revealing many facets of his art, thought, and style. However, the complete key to understanding the magic of his poetry remains elusive. Ghalib’s style is not rooted in tradition, as his rationality, boldness of expression, and innovative language are unique products of his modernist mindset. His individuality, a primary reason for his rejection in his time, became a defining strength.

Ghalib’s philosophical mind and ego drove him to create a distinct path, leading to a complex and obscure style. Interrogation and skepticism are central to his thought, as he questioned historical, cultural, and religious truths, often rejecting them. To conceal his iconoclastic ideas, he deliberately employed ambiguity, making his style intricate and challenging to interpret. This study focuses on this defining feature of Ghalib’s poetic style, particularly his conscious use of obscurity and ambiguity.